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Finding (the elusive) Room of one’s own: Interview with Bookblog about being a writer

A room of onee's own

Finding (the elusive) Room of one’s own: Interview with Bookblog about being a writer

Claudia Moscovici

In 1929 Virginia Woolf published a series of lectures that she delivered in 1928 at Newnham and Girton colleges (the women’s colleges at Cambridge University), which we  know under the title “A Room of One’s Own”. She argued that women don’t have their own creative space, both figuratively, in the male-dominated tradition of male writing, and literally, meaning the time and space to write. I think that nowadays few writers, both male and female, have a room of one’s own. For the vast majority of creative writers, writing is a passion, a talent, even an identity, but it is no longer a profession. To put it bluntly, most writers can’t earn a consistent living from it. Even journalism is barely hanging on, as the major newspapers in the U.S. are bought at low prices and blogging has taken over what used to be professional journalism. Ever since I was in college, at Princeton University, I’ve dreamt of being a fiction writer. Knowing, however, that writing isn’t a full-fledged profession, I didn’t take the plunge until my family and I achieved some level of financial stability. I studied and got a doctorate in Comparative Literature at Brown University and became a literary critic and professor for nearly 15 years. Although I had some financial stability at that point, I wouldn’t say that I had a room of my own, either literally or figuratively. I was busy raising a young family, my lovely kids Sophie and Alex, so I didn’t have much time to write fiction.bookbloginterview3

Professionally, for many years I wrote scholarly essays and books. To give voice to my creative side, in  2002 I founded an art movement called postromanticism (http://postromanticism.com), devoted to some of the aesthetic values that I thought were being neglected in contemporary art: verisimilitude, passion, sensuality and beauty.Cover of Romanticism and Postromanticism

The internet became, to some extent, a room of my own: a space where I could discover and interact with artists from all over the world (France, the U.S., Switzerland, Taiwan, Romania, Hungary, Italy, Mexico, Brazil, etc.) who shared my aesthetic vision. But I still didn’t have the time and space to fully express my own creativity as a writer until I became a full-time writer in 2008 and subsequently published my first novel, Velvet Totalitarianism, in 2009 (translated as Intre Doua Lumi, Editura Curtea Veche, 2011) and my second novel, The Seducer (2011). At that point in my life, my children were old enough that they no longer needed to be nurtured in the same way, or in the same space with me at all times. My space as a writer changed again and I could finally have the time and place to write.

Bookbloginterview1

I write at my desk on a Mac computer, with my cat Jewel serving as a constant companion (and, I’d say, also muse). As all my Facebook friends know from the cat pictures I post, I’m a big cat lover. This is why I chose a picture of Jewel in my library as one of the photos included for this interview. This picture of my cat perched on my books also shows that even when I write fiction I still follow some of the research habits  that I acquired as a scholar. I research throughly every novel I write. To write Velvet Totalitarianism, for instance, I read dozens of books on communism, the Ceausescu dictatorship, the political history of Romania and the revolution of 1989. To write The Seducer, a novel about psychopathic seduction that follows the structure of my favorite novel, Anna Karenina, I researched psychopathy, narcissism and other personality disorders. The plots of my novels may be fiction, but to write about anything that has a basis in history, psychology or sociology I believe that one has to have some foundation in facts.

Seducer Cover

We are used to thinking of writers as being occupied mostly with writing. I believe this too has become a fiction. If the writer has a family, then a large part of his or her life revolves around that family’s needs. Second, a writer has to wear many hats, so to speak: researcher, writer, and publicity director all in one. As a literary critic, fiction writer and founder of an international art movement, the publicity hat is very large for me. I not only have to publicize my own books, but also the postromantic movement and the art of the dozens of artists I collaborate with (you can see some of my essays about them on my art blog, http://fineartebooks.wordpress.com).bookbloginterview2

This is why for this interview I’ve included a press photo of me during my visit to Romania, taken by Claudiu Ciprian Popa, for the launch of my novel Intre Doua Lumi, in 2011. Book publicity has become almost as important to me as the computer at which I write. And this isn’t just because nowadays publicity has become a necessity: without effective publicity most writers wouldn’t be read. It’s also because I’m trying to find a place in the publishing industry that isn’t that of simply being a writer. I’ve witnessed enormous changes in this industry in the U.S., as most of the small and medium publishing houses have died, or been swallowed by the large publishers. Even the large publishing houses have had to merge to survive. Most authors are left without a publicity budget, which means with less consecration and access to readers and reviewers. The final picture I’m including of this room of my own is a still shot from the movie video book trailer for my novel “Velvet Totalitarianism,” called “Velvet Love,” made by Andy Platon.

bookbloginterview4

This photo indicates the direction I believe the publishing industry will take: namely, producing relatively inexpensive, creative and cutting-edge ways in which individual authors and publishers will publicize books in the future. In the past few years my writing space, or room of my own, has changed yet again, to encompass a network of collaborations among the various arts, including music, film and literature, which I believe will become increasingly important to authors and publishers alike.

Claudia Moscovici, Literature Salon

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Filed under A Room of one's own, Andy Platon Velvet Love, book review, Claudia Moscovici, contemporary fiction, fiction, interview with Bookblog, Intre Doua Lumi Claudia Moscovici, Intre Doua Lumi Curtea Veche Publishing, literary criticism, literature, literature salon, literaturesalon, Velvet Love, Virginia Woolf A room of one's own

My Interview about Velvet Totalitarianism and The Seducer in Celebrity Dialogue

Claudia Moscovici: Novelist, Non-Fiction Author & Art Critic PDF Print E-mail
March 11th, 2012
Interview of Claudia Moscovici on CelebrityDialgoue.com
Claudia Moscovici is an American Romanian Novelist, non-fiction author and art critic. Her latest novel “The Seducer” is a psychological story of a married woman trapped in the love of an unassuming psychopath. Claudia is the author of “Velvet Totalitarianism,” a critically acclaimed novel about a Romanian family’s survival in an oppressive communist regime due to the strength of their love.

CelebrityDialogue: What is the basic plot of your latest novel “The Seducer”?Claudia: “The Seducer,” my new psychological thriller, shows both the hypnotic appeal and the deadly danger of psychopathic seduction. This novel traces the downfall of a married woman, Ana, who, feeling trapped in a lackluster marriage, has a torrid affair with Michael, a man who initially seems to be her soul mate and her dream come true. Although initially torn between love for her family and her passion for Michael, Ana eventually gives in to her lover’s pressure and asks her husband for divorce. That’s when Michael’s “mask of sanity” unpeels to reveal the monstrously selfish psychopath underneath. Written in the tradition of Tolstoy’s “Anna Karenina,” my novel shows that true love can be found in our ordinary lives and relationships rather than in flimsy fantasies masquerading as great passions.
CelebrityDialogue: What inspired you to write this novel?

Claudia: I have always been a big fan of nineteenth-century fiction that focuses on the theme of seduction: I’m thinking of classic novels like Tolstoy’s “Anna Karenina” and Flaubert’s “Madame Bovary”. I also read with great interest the libertine novel tradition of the eighteenth-century: my favorite in this genre being Laclos’ epistolary novel, “Dangerous Liaisons”. I think in his depiction of Valmont, Laclos gets the seducer profile exactly right: he is a dangerous psychopath—essentially a social predator who plays games with the lives of others, having malicious fun at their expense– rather than a libertine maverick (as in Casanova) or a tragic romantic hero (as in Tolstoy). I did four years of psychology research of the most dangerous personality disorders—psychopathy and narcissism—to create a realistic and up-to-date psychological profile of the seducer in my new novel by the same name.
CelebrityDialogue: Would you like to introduce our readers to a non-fiction book, “Dangerous Liaisons”, that you wrote in 2011?

Claudia: Although the theme of psychopathy comes up mostly when we hear about (psychopathic) serial killers, it is actually much more commonplace and pervasive, in both fact and fiction. What do O. J. Simpson, Scott Peterson and the timeless seducers of literature epitomized by the figures of Don Juan and Casanova have in common? They are charismatic, glib and seductive men who also embody the most dangerous human qualities: a breathtaking callousness, shallowness of emotion and the incapacity to love. In other words, these men are psychopaths. Unfortunately, most psychopaths don’t advertise themselves as heartless social predators. They come across as charming, intelligent, friendly, generous, romantic and kind. Through their believable “mask of sanity,” they lure many of us into their dangerous nets. My nonfiction book, “Dangerous Liaisons,” explains clearly, for a general audience, what psychopaths are, why they act the way they do, how they attract us and whom they tend to target. Above all, this book helps victims find the strength to end their toxic relationships with psychopaths and move on, stronger and wiser, with the rest of their lives.

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CelebrityDialogue: What exactly is psychopathic seduction?

Claudia: Psychopathic seduction happens when someone is seduced (targeted, lured with false promises or under false premises, deceived, manipulated, isolated and brainwashed) by a psychopathic social predator. Psychopaths are far more common than one thinks. Experts estimate that between 1 and 4 percent of the population is psychopathic. This means that there are millions of psychopaths in the United States alone. The influence of these very dangerous individuals extends far beyond this percentage however. Psychopaths are generally very sociable, highly promiscuous and con countless people: sexually, emotionally and/or financially. They poison tens of millions of lives in this country and far more, of course, internationally.

Claudia Moscovici The Seducer

CelebrityDialogue: Your novel “Velvet Totalitarianism” is about a Romanian family’s survival against communist regime. Since you have Romanian roots, did any true life events prompt you to write this novel?

Claudia: “Velvet Totalitarianism”, which was recently launched in Romanian translation (“Intre Doua Lumi,” Curtea Veche Publishing, 2011), is inspired in part by events in Romanian history as well as by elements from my life and my parents’ lives: including my father’s defection to the U.S., our dealings with the Securitate and our immigration. Nevertheless, I fictionalized both the historical and the biographical elements to give the novel a tighter and more dramatic structure.
CelebrityDialogue: You must have felt proud when this novel was published in Romanian language?

Claudia: I was delighted that “Velvet Totalitarianism” was published in Romania, both because it was written about the history and struggles of the Romanian people and because I have a sentimental attachment and cultural ties to my native country. I was especially happy to see how well-received the novel in translation (“Intre Doua Lumi”) was by the mainstream media in Romania, where it was featured not only in literary and culture magazines such as Scrisul Romanesc and Viata Romaneasca, but also in Forbes.ro, women’s glossy magazines (such as Revista Avantaje), and general interest blogs like Catchy.ro and VIP.net. Since I aspire to being a public writer and intellectual, I wish to reach a wide community of readers, internationally.
CelebrityDialogue: Which are your other major published works?

Claudia: I have published several scholarly books, but I’d consider “major” works only those books that I wrote for a general audience. These include my art criticism book “Romanticism and Postromanticism”, on the Romantic tradition in art and literature and its postromantic survival; my novels “Velvet Totalitarianism” and “The Seducer”, and my psychology book about psychopaths and dangerous relationships, “Dangerous Liaisons”.
CelebrityDialogue: You are the co-founder of” Postromanticism”. For those who may not know, please shed some light on this movement.

Claudia: I believe that art movements are not only diachronic, emerging one after the other, as they tend to be taught in art history, but also synchronic, in that each new art movement borrows from many aesthetic traditions of the past. Postromanticism, the international art movement I co-launched in 2002 with the Mexican sculptor Leonardo Pereznieto, is no exception. It is inspired by several traditions in art history, including Neoclassicism, Romanticism and art nouveau. Postromanticism places emphasis upon beauty, sensuality and passion in contemporary art. You can see samples of postromantic art on my website, http://postromanticism.com.
CelebrityDialogue: Since you write about love, beauty and passion, what does love mean to you in real life? Were you able to find love in your life?

Claudia: Being a novelist and art/literary critic, for many years I looked mostly at fantasy—since, after all, that’s what art and fiction are–to describe love as a romantic ideal rather than as a daily lived reality. But for the past few years, particularly after studying personality disorders, I have come to appreciate much more the pragmatic and ethical dimensions of real love. To me, love implies mutual commitment, supporting one another through thick and thin, fidelity and caring about one another: everything that the wedding vows promise and that my wonderful and supportive husband, Dan Troyka, has offered me in real life for over 20 years, since we met and fell in love in college.
CelebrityDialogue: What are you working on these days?

Claudia: Since my interests are in several fields—fiction, art and psychology—I always work at several projects simultaneously. This “multitasking” keeps me from becoming bored with any one subject or stuck in a rut creatively. Right now I’m researching the psychology of cults, which will be the subject of my third novel, “The Cult”. Since cult leaders are often charismatic psychopaths, this novel will incorporate a lot of the research I’ve already done to write “The Seducer” and “Dangerous Liaisons”. In addition, I have just finished writing the preface for an exciting new science fiction novel called “The Cube”, written in the tradition of Huxley’s “Brave New World” and Orwell’s “1984”, which will be published by my publisher in a few months. At the same time, I’m working closely with the Romanian-born movie producer Bernard Salzman, whom you’ve already interviewed in Celebrity Dialogue, on the screenplay for my first novel, “Velvet Totalitarianism”. Hopefully this will be an American-Romanian production, since a large part of the plot takes place in Romania. I also continue with my art criticism and am preparing for the launch of “Romanticism and Postromanticism”, translated by the writer and critic Dumitru Radu Popa, in Romania next fall. It’s a Latin country so I’m hoping for a warm reception of postromanticism, the art of passion!
CelebrityDialogue: Thank you so much Claudia. It was a pleasure.

Claudia: Thank you for this interview, the pleasure was mine.

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Filed under book review, Claudia Moscovici, communist Romania, contemporary fiction, Dan Troyka Claudia Moscovici, fiction, Intre Doua Lumi, literary criticism, literary fiction, literature, literature salon, literaturesalon, Nat Karody The Cube

My fresh impressions about Romania, thirty years later

Velvet Love by Andy Platon

This is an essay about my fresh impressions about my native country, Romania, thirty years later, published in Litkicks.com and translated into Romanian on Catchy.ro.

http://www.litkicks.com/ReturnToRomania 
http://www.catchy.ro/un-scriitor-care-s-a-intors-in-romania/19370
Claudia Moscovici, Literatureasalon

http://www.amazon.com/Velvet-Totalitarianism-Post-Stalinist-Claudia-Moscovici/dp/076184693X/ref=sr_1_1?s=books&ie=UTF8&qid=1323439558&sr=1-1


			

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Filed under book review, Claudia Moscovici, communist Romania, contemporary fiction, fiction, Intre Doua Lumi by Claudia Moscovici, literary criticism, literary fiction, literature, literature salon, literaturesalon, Velvet Love, Velvet Love by Andy Platon, Velvet Totalitarianism

The Multimedia Launch of Velvet Totalitarianism (Intre Doua Lumi) in Romania

I’m happy to report that my first novel, Velvet Totalitarianism, was launched in Romanian translation (by Mihnea Gafita) under the title Intre Doua Lumi (Curtea Veche Publishing, 2011). The presentation will include my talk about the book as well as a book trailer produced by Claudiu Ciprian Popa and a music video produced by Andy (Soundland) Platon (see the below). This was the first multimedia launch, in which a book trailer and music video accompanied the presentations of the novel.

The political commentator Adrian Cioroianu, the literary critic Alex Stefanescu and the film producer Stere Gulea introduced my novel in light of their respective fields. The book launch took place at the Romanian Cultural Institute in Bucharest (ICR Bucuresti) on September 21, 2011 at 18:00 p.m. (Aleea Alexandru nr. 38, sector 1, 011824, Bucuresti, România).  

This novel is being made into a movie by the Romanian-American cinematographer Bernard Salzman (http://bernardsalzman.com/)

I’m pasting below the Advance Praise for my novel as well as Diana Evantia Barca‘s article about it in Catchy.ro and Anca Lapusneanu‘s article about it (and intellectual freedom) in Revista VIP.

Advance Praise for Velvet Totalitarianism/Intre Doua Lumi

A deeply felt, deftly rendered novel of the utmost importance to any reader interested in understanding totalitarianism and its terrible human cost. Urgent, evocative, and utterly convincing, Velvet Totalitarianism is a book to treasure, and Claudia Moscovici is indeed a writer to watch, now and into the future.

–Travis Holland, author of the critically acclaimed novel, The Archivist’s Story, a Barnes & Noble Discover Great New Writers selection.

Claudia Moscovici’s first novel, Velvet Totalitarianism, triumphs on several levels: as a taut political thriller, as a meditation on totalitarianism, as an expose of the Ceausescu regime, and as a moving fictionalized memoir of one family’s quest for freedom.

–Ken Kalfus, author of the novel A Disorder Peculiar to the Country

 (2006 National Book Award nominee), of The Commissariat of Enlightenment (2003) and of PU-239 and Other Russian Fantasies (1999).

Western intellectuals have often blurred the fundamental differences between the imperfect free world they have been fortunate to enjoy and the totalitarian world of communism they never had the misfortune to endure.  Claudia Moscovici’s Velvet Totalitarianism is a powerful corrective to that ivory tower distortion of reality.  Moscovici makes her readers viscerally feel the corrosive psychological demoralization and numbing fear totalitarian regimes impose on those who live under them.  At the same time, with style and wit, and informed by her experiences as a child in communist Romania and then as an immigrant in the United States, she tells a story of resilience and hope.  Velvet Totalitarianism is a novel well worth reading, both for its compelling narrative and for its important message.

–Michael Kort, Professor of Social Science at Boston University and author of the best-selling textbook, The Soviet ColossusHistory and Aftermath

This vivid novel by Claudia Moscovici, historian of ideas and wide-ranging literary critic, traces a family of Jewish-Romanian refugees from the stifling communist dictatorship of their homeland through their settling in the United States during the 1980’s. This fascinating and compelling story is at once historically accurate, exciting, sexy and a real page-turner. Ms. Moscovici is as sensitive to the emotions of her characters as to their political entanglements.

–Edward K. Kaplan, Kevy and Hortense Kaiserman Professor in the Humanities at Brandeis University and author of Spiritual Radical: Abraham Joshua Heschel in America, 1940-1972, winner of the National Jewish Book Award

Moving between extraordinary and ordinary lives, between Romania and the United States, velvet totalitarianism and relative freedom, dire need and consumerism, evoking her Romanian experience in the seventies, the emigration to the U.S. of her family in the eighties, and the 1989 uprising in Timisoara and Bucharest that marked the end of Ceausescu’s regime, Claudia Moscovici offers her readers a multifaceted book—Velvet Totalitarianism—that is at once a love story, a political novel and a mystery. Love is the last resort left to people in order to counter totalitarianism under Ceausescu’s rule. It keeps families united, allowing them to resist indoctrination and hardship and to make sure their children enjoy the carefree beautiful years that are their due. Love gives the protagonist of the novel the strength to overcome cultural differences between Romania and the U.S. and to invent in turn a form of personal happiness in a context that, while far from being as harsh as her initial one, does not lack its own problems.

– Sanda Golopentia, Professor of French, Brown University

Cold historical facts and figures tend to leave us emotionally indifferent. The impact of a nation’s tragic events on one single person or family is much better understood and more profoundly felt. This is what makes Claudia Moscovici’s book, Velvet Totalitarianism, so very special. Her novel is prefaced by a well-researched history of Romania under communism. Depending on one’s point of view, Moscovici’s work could be considered as the fictionalized story of a real Jewish-Romanian family under communism, based on her own recollections and that of her family and supported by true historical facts; or a brief history supported by the fictionalized story of a real family. It’s a book well worth reading. The novel is a page-turner, witty and well written.

–Nicolae Klepper, author of the best-selling book, Romania: An Illustrated History.


http://www.amazon.com/Velvet-Totalitarianism-Post-Stalinist-Claudia-Moscovici/dp/076184693X/ref=sr_1_1?s=books&ie=UTF8&qid=1323439558&sr=1-1

 

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